Saturday, January 4, 2020

The Middle Ages And Renaissance Period - 1586 Words

From the time period of knights, kings, and queens, women have often been seen as a damsel in distress; one in which needs rescuing, taking care of and protected as a prize possession. This possession was just that, the possession of a man for which she was to be subservient, meek, honoring, and bowing down before her man. Hence, any deviation from this behavior, she was charged with treason whether justified or not. She was expected to act and behave in a proper manner, beseeching power to those above her. Throughout the years, this pattern has been slow to change. I will show the changes of the way women were viewed and treated, however very subtle, through the literature in Middle Ages and Renaissance time period with authors†¦show more content†¦I know not if she’s woman or goddess; but Venus she is truly, I guess.† (Chaucer lines 240-244) Both men acknowledged the beauty in the fair Emily, but both were in prison. They bickered between each other as to who saw her first, as they objectified her as the most beautiful woman, the equivalent of a goddess. As Arcita was released from prison, and Palamon remained, Arcita declared Palamon the victor: â€Å"Yours is the victory, and that is sure, / For there, full happily, you may endure / In prison† Never but in Paradise!† (Chaucer 377-379). The implication was that he could never be happy not seeing his desired woman, when Palamon, even though locked up in a cell, could observe the beautiful Emily while she strolled in the garden. The admiration of Emily continues as Palamon escapes and as luck would have it met up with Arcita which prompts a dual. King Theseus, out hunting with this queen, and Emily, came upon this fight. Both men declared they love for Emily, but prisoners, one escaped and one banished from the land, were sentenced to death. The women, cried out for the sparing of their lives: â€Å"But then the queen, whose heart was for pity bled, Began to weep, and so did Emily And all the ladies in the company. Great pity must it be, so thought they all, That ever suchShow MoreRelated Differentiating the Renaissance Period and Middle Ages Era in Europe1013 Words   |  5 PagesThe Renaissance was a time of change and prosperity. The decision was made depending on the difference of two eras. Unlike the Renaissance, the Middle Ages were a thousand years of ignorance and superstition. The Renaissance men were leaders in an era of rebirth and learning looked to the Ancient Greeks and Romans for models of advance. Many historians felt that the Middle Ages and the Renaissance were one era. The debate centers around whether the Renaissance was a unique age or a continuation ofRead MoreThe Origins Of Humanity And Major Periods : Middle Ages, Renaissance, And Enlightenment1454 Words   |  6 Pages Exam One: Origin of Humanity Alexis Jayne Milligan Bethune-Cookman University SS 245 WO Interdisciplinary Social Science Dr. Dorcas E. McCoy April 10, 2016 This paper will discuss the origins of humanity and three major periods: Middle Ages, Renaissance, and Enlightenment. The relevance of evolution, natural selection via Charles Darwin, intelligent design, and scientific creationism. Then the human thought and social thought on these epochs will be further debated. 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Accordant Leonardo da Vinci he describes the culture of the Renaissance as â€Å"the cultural bridge between the Middle Ages†. Renaissance started in Italy during the period of medieval, then it slowly spread throughout Europe. The term Renaissance over the years, has become synonymous with ideas of expanding, rebirth and culturalRead MoreThose Horrible Middle Ages !1433 Words   |  6 PagesAs indicated by the sarcastic title of her book â€Å"Those Terrible Middle Ages!† French historian Rà ©gine Pernoud addresses this commonly held misconception. She argues this time in history spanning approximately a thousand years as well as the image of the Church, have been irresponsibly represented. Her examination of th is time period reveals that it is not the Church, but modernism that generates a return to the classical ideology of antiquity. 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